by: Francesco Specchia - Free
19/02/2011 - "The moral indignation is in most cases 2 percent moral, 48% indignation, and 50% envy, "said Vittorio De Sica colleagues radical chic, the terraces of Rome, the 'impallinavano with each new success. Envy, pride in their raw state.
Michele Santoro is an admirer of De Sica's neorealist. Maybe the quotes. But it is surprising that the moral indignation yesterday pushed the officer to let off steam on his website, about the monstrous success of Roberto Benigni in Sanremo. "The start of the festival was brought forward by half an hour and Benigni's monologue lasted fifty-two minutes" Michele has sizzle, fresh caught by the shovelful of auditel Raiuno "Sanremo this time has not hosted an extraordinary performance, but has incorporated a whole show ... Benigni is always benign. But it has been used to erase the differences. The operation thanks to you (viewers) failed. And we will continue to love him the same. We ". "We" is plural nous. Santoro uses a slash to show that its 4 million people and spends "enough to show that Annozero is essential and that no circumstance can justify the attempt to reduce television to a single program. " Moreover, no one had ever said the opposite in fact as the Wolverine comic Michael is the best at what he does, even if what is often not pleasant. But this is not the point.
The point is that Benigni, the other night, he turned in a great nation. The whole nation. His lesson on the Renaissance, brimming with soaring rhetoric of genius and necessary-thank goodness-liked at the Quirinale, the government and the opposition, the people and institutions. Moliere was that he meets Toto meets Garibaldi in the poignant monologue of the "clown's Prayer (" Lord, if my antics serve to relieve their pain, they make my face even more ridiculous, but help me to carry it around with ease ...»). Benigni has touched vertices sidereal, and performance art, both share. Technically, despite the immense length of the stake, up to 15 million viewers hanging on his lips: the first part (20:40 to 23:21) has counted 15 million 398 thousand, representing a market share of 50.23%. The second part of the Festival (23:26 to 01:09) instead 7milioni totaled 529,000 viewers and a share of 53.21%. The weighted average of the evening was 12 million 363 thousand viewers to an equal share of 50.90%. "Annozero" with her share of 14.13% has fought well, for heaven's sake. Ignazio La Russa kicking Formigli taken from impossible angles and Lele Mora scaccola verbally over the phone that they were pieces of a Barnum tasty. But, heck, get to this level of Benigni is guilty of hubris, the arrogance of men to the gods. And then there's another great feature of the evening closer to the dream to reality: Benigni would be donated Meyer Paediatric Hospital in Florence the entire festival cachet of 250 thousand euro. Money well invested by Rai also has plenty of them recovered from the advertising load. Would say: Michael, you who are left, and donate at least your 60 thousand per month. But it would be a stupid provocation.
no idiot, but worrying is the momentum rather egotistical, unrealistic Santoro, the son of quell'innamoramento for "the strength of the force of staging" that brought him in his youth, starting a career in Teatrogruppo Salerno Italian surrealism . Santoro suggested Sartre, Brecht, Ferlinghetti and Weiss' Marat Sade (communists), alternating with the vision of the films of Sergio Leone (reactionary); stuff punctuated by fights and union rallies with closed fists in favor of the hero of Prague Jan Palach . Santoro, like all the actors who have the arrogance of talent, tends all'introflessione. Annozero be the center of the world: the EPHOS of the square can only blow up Raidue, on Thursday evening. So that, in this key, Michele Law envy as "the heart of democracy" as interpreted by Bertrand Russell gave the communist. He sees the indignation as literary inspiration. So that, the success of Benigni is probably more hurt that Michael Silvio. (Who's Silvio that Benigni has taken half the time of Cavour, Mazzini and Mameli, a little 'taken dev'essersela ...).
Michele Santoro is an admirer of De Sica's neorealist. Maybe the quotes. But it is surprising that the moral indignation yesterday pushed the officer to let off steam on his website, about the monstrous success of Roberto Benigni in Sanremo. "The start of the festival was brought forward by half an hour and Benigni's monologue lasted fifty-two minutes" Michele has sizzle, fresh caught by the shovelful of auditel Raiuno "Sanremo this time has not hosted an extraordinary performance, but has incorporated a whole show ... Benigni is always benign. But it has been used to erase the differences. The operation thanks to you (viewers) failed. And we will continue to love him the same. We ". "We" is plural nous. Santoro uses a slash to show that its 4 million people and spends "enough to show that Annozero is essential and that no circumstance can justify the attempt to reduce television to a single program. " Moreover, no one had ever said the opposite in fact as the Wolverine comic Michael is the best at what he does, even if what is often not pleasant. But this is not the point.
The point is that Benigni, the other night, he turned in a great nation. The whole nation. His lesson on the Renaissance, brimming with soaring rhetoric of genius and necessary-thank goodness-liked at the Quirinale, the government and the opposition, the people and institutions. Moliere was that he meets Toto meets Garibaldi in the poignant monologue of the "clown's Prayer (" Lord, if my antics serve to relieve their pain, they make my face even more ridiculous, but help me to carry it around with ease ...»). Benigni has touched vertices sidereal, and performance art, both share. Technically, despite the immense length of the stake, up to 15 million viewers hanging on his lips: the first part (20:40 to 23:21) has counted 15 million 398 thousand, representing a market share of 50.23%. The second part of the Festival (23:26 to 01:09) instead 7milioni totaled 529,000 viewers and a share of 53.21%. The weighted average of the evening was 12 million 363 thousand viewers to an equal share of 50.90%. "Annozero" with her share of 14.13% has fought well, for heaven's sake. Ignazio La Russa kicking Formigli taken from impossible angles and Lele Mora scaccola verbally over the phone that they were pieces of a Barnum tasty. But, heck, get to this level of Benigni is guilty of hubris, the arrogance of men to the gods. And then there's another great feature of the evening closer to the dream to reality: Benigni would be donated Meyer Paediatric Hospital in Florence the entire festival cachet of 250 thousand euro. Money well invested by Rai also has plenty of them recovered from the advertising load. Would say: Michael, you who are left, and donate at least your 60 thousand per month. But it would be a stupid provocation.
no idiot, but worrying is the momentum rather egotistical, unrealistic Santoro, the son of quell'innamoramento for "the strength of the force of staging" that brought him in his youth, starting a career in Teatrogruppo Salerno Italian surrealism . Santoro suggested Sartre, Brecht, Ferlinghetti and Weiss' Marat Sade (communists), alternating with the vision of the films of Sergio Leone (reactionary); stuff punctuated by fights and union rallies with closed fists in favor of the hero of Prague Jan Palach . Santoro, like all the actors who have the arrogance of talent, tends all'introflessione. Annozero be the center of the world: the EPHOS of the square can only blow up Raidue, on Thursday evening. So that, in this key, Michele Law envy as "the heart of democracy" as interpreted by Bertrand Russell gave the communist. He sees the indignation as literary inspiration. So that, the success of Benigni is probably more hurt that Michael Silvio. (Who's Silvio that Benigni has taken half the time of Cavour, Mazzini and Mameli, a little 'taken dev'essersela ...).
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